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Organically and understandably as the three characters' perspectives gracefully and carefully shed light on the greater world and mystery and built
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The movie just feels suffocated, forcing a lot of plot points that in the book developed And perhaps it wouldīetter for those who have not read the book beforehand. The movie is technically well made and, for a story so based on careful exposition rather than crude dialogue, it's not bad. Sordid story that could prove dangerous for all involved. She, and those with whom she is closest, fits into that mystery - her own past, and those of everyone involved, come to the forefront and reveal a As she tries to piece together the mystery through an alcoholic daze - both what's happened to Megan and how Inserts herself into the mystery but also comes under police scrutiny when she's reported in the area of her old home, which is only doors downįrom Scott and Megan's place. Turns out the woman is Megan Hipwell (Haley Bennett), and her husband Scott (Luke Evans) is a suspect in her disappearance. One day, she catches this mystery woman kissing a man other than the one Rachel has always seen her with. Rachel builds a fantasy life for them, living vicariously through It stops right be her old house and, a few doorsĭown, she's taken notice of, and taken to, a young couple that seems to have it all. Rachel travels by train each morning into the city. Having an affair while still married to Rachel. She stalks Tom and resents his new wife, Anna (Rebecca Ferguson), with whom Tom was The divorce and has become a full-fledged alcoholic since. Rachel (Emily Blunt) is a divorcee whose life has crumbled since her split with ex-husband Tom (Justin Theroux). In at about 110 minutes it just can't find that same inner depth and detail that blossoms on the page. It's a fine translation in the cruder senses and sticks fairly close to the book in terms of basic maneuvers and how the plot unfolds, but coming The movie, directed by Tate Taylor ( The Help), doesn't capture the novel's energy and intrigue to the same
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Her real and imagined intimacy to a few of the primary characters involved.
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Story contrasted against a sordid murder-mystery in which she finds herself caught in the middle, mostly by her own doing but understandably given Particular, is devoid of dialogue it's exposition and exploration by way of the lead character's thoughts and personal deterioration, exploring her sob The story's structure didn't appear to make for an easy transition to film. Worldwide bestseller might not have been the peak of fiction - an intriguing premise, a solidly constructed lead character, slow-drip reveals, and aįew twists all lead up to a fairly hackneyed ending - but it made for a solid read, one of those "up all night" sorts that yields sleepy eyes and a Nook Very few manage to tell the story as it was laid out in the source novel, never mind enjoy the character intricacies, narrative depth,Īnd creativity the written word usually affords the material in question. Reading the book on which a movie is based before (or after) watching said movie almost invariably leads to disappointment with the movie in someįorm or fashion. Reviewed by Martin Liebman, January 16, 2017